In conjunction with Unseen 2019, we bring to Amsterdam two major series from A Body of Work by JOHN COPLANS. Coplans used this title for his oeuvre of self-portraits, which he began making in New York in 1980, at the age of 60. He continued to photograph only his aging body, in whole or in parts, and to register these performative acts in large-format prints. These works of self-detachment and bold humanity gained immediate acclaim and continue to fascinate.

With Coplans, the term self-portrait carries a profound ambiguity. The large frontal photographs, shot consistently in neutral light, show the undulating forms of the artist’s body, explicit as to the ravages of age but not personal identity—there is never a face. The body thus turned into pliable and universal material made critics compare the effect of these large compositions to that of sculpture and living landscape tableaus. The two full series and related works in the show are a personal choice of Marsha Plotnitsky, Founding Artistic Director of TMH, who was a close friend of Coplans in New York and has always been a dedicated collector of his work. Avowing vulnerability, Coplans’s self-portraits stand the test of time as they counter the canons of beauty and notions of photographic self-presentation.